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RADICAL SOFTWARE: WOMEN, ART & COMPUTING 1960-1991 [ENGLISH EDITION]
デジタルアートにおける女性たちの先駆的な役割を探る作品集。2024年9月から2025年2月にかけてルクセンブルクの現代美術館「MUDAM」、2025年2月から5月にかけてオーストリアの「クンストハレ・ウィーン（Kunsthalle Wien）」で開催した展覧会に伴い刊行された。
参加作家：
Rebecca Allen, Elena Asins, Colette Stuebe Bangert & Charles Jeffries Bangert, Gretchen Bender, Gudrun Bielz & Ruth Schnell, Dara Birnbaum, Inge Borchardt, Barbara Buckner, Doris Chase, Analívia Cordeiro, Betty Danon, Hanne Darboven, Bia Davou, Agnes Denes, VALIE EXPORT, Anna Bella Geiger, Isa Genzken, Dominique Gonzalez-Foerster, Lily Greenham, Samia Halaby, Barbara Hammer, Lynn Hershman Leeson, Grace C. Hertlein, Channa Horwitz, Irma Hünerfauth, Charlotte Johannesson, Alison Knowles, Beryl Korot, Katalin Ladik, Ruth Leavitt, Liliane Lijn, Vera Molnár, Monique Nahas & Hervé Huitric, Katherine Nash, Sonya Rapoport, Deborah Remington, Sylvia Roubaud, Miriam Schapiro, Lillian Schwartz, Sonia Sheridan, Nina Sobell, Barbara T. Smith, Tamiko Thiel, Rosemarie Trockel, Joan Truckenbrod, Anne-Mie Van Kerckhoven, Ulla Wiggen
The publication accompanies the exhibition; a pre-internet era, historical survey of female artists who were either working with computer technologies, or taking up the subject of computing and cybernetics in their work. It documents a lesser-known history of the inception of digital art, countering conventional narratives on art and technology by focusing entirely on female figures. Published by Mudam Luxembourg, Kunsthalle Wien and Verlag der Buchhandlug Walther und Franz König, this extensive publication includes three new essays by Tina Rivers Ryan, Margit Rosen, and the exhibition's curator, Michelle Cotton. It also features a richly illustrated timeline covering the period between 1613 and 1991 and includes twenty-seven new interviews with artists and over 200 illustrations.
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