写真コレクターでありキュレーター、ディーラー、ライター、そして写真家としても活動するブラッド・フォイャヘルム（Brad Feuerhelm）の作品集。1963年11月22日に起こったアメリカ合衆国大統領ジョン・F・ケネディ暗殺事件は、アメリカンドリームを崩壊させた。本書は未だ答えられていない問いを再考する図画調査になっている。ケネディ大統領の葬列を撮影したポラロイド写真からテレビ画面、プレス用写真、そしてキャメロットの最後の抵抗の様子まで無数のイメージが分解され、アメリカのスペクタクルへの執着に対して恐怖を煽るような文体模写と共に紡ぎ合わせられている。極めて自由な美的感覚のフィルターを通しながら、強烈なテキストの引用にケネディ大統領の葬列のテレビ画面のスナップショットとPR用写真を組み合わせ、大胆にも記憶の曖昧さの危険性を批判し、警鐘を鳴らす。"The Headshot Heard Around the World"（世界を変えた一発の銃弾）の50周忌にあたる2013年11月に発行。

TV Casualty is a graphic study of the horror of nostalgia in the decline of the American Dream. On November 22nd, 1963 president John F Kennedy was gunned down by an assassin’s bullet. A new chapter in American dystopia with many unanswered questions had begun. A distempered unknown had roused and swung the cradle of America’s naïve infancy from its slumber with a painful crash to the cold floor, which would be viewed over and over in cyclical fashion via the home television. Several decades later an American punk band, The Misfits identifying with the decline of the American dream began to fashion what would soon become the “horrorpunk” moment; a rather insidious rumination on the fault line of the American unconscious. Disconcerted Totem events of American history became infused with a penchant for underclass DIY creativity and gothic aesthetics. TV culture being a fecund point of departure from the utopias promised and left unrewarded, it was capitalized on within the movement as a liminal space where the trajectories of unnerve and disjointed articulation of nightmares could infuse themselves to produce something more akin to what was the reality of new American Gothic. TV Casualty proposes a re-examination of the DIY aesthetic of the movement within the locus of screen and TV culture. Found vernacular images of President Kennedy’s funeral cortege snapped by a Polaroid camera from the T.V. screen and press images from the Camelot’s last stand are woven together in a cut up and unnerving pastiche of American fixation of the spectacle. Brad Feuerhelm, influenced by shared trauma and aesthetic values of horror has created a re-edit, a re-shuffle, and a re-examination of the guiding forces of slow decline in American culture for 2013; the 50th anniversary of “The Headshot Heard Around the World”.