ロンドンを拠点とするフランス人アーティスト、マリエ・アンジェレッティ（Marie Angeletti）の作品集。「ホテルのパロディー」をテーマに綿密に作り込まれた作品から、ラフに加工を施したファウンドフォトが不調和ながら自由気ままにレイアウトされている。イギリス人ライターであり批評家でもあるBrian Dillonによる序文付き。

'If one were looking to tie this work down via iconography (precisely the wrong approach), one might be tempted to see Angeletti as here pursuing a semi-oblique feminist agenda orbiting around performance, role-play, adornment, containment. But she seems more interested in scrambled typologies and the uneasy pleasures of, to quote René Magritte, the treachery of images. If pre-existing, these photographs meant one thing in a catalogue, museum or wherever, and now they signify something else or, intrinsically, nothing at all: detached, rivulets in a larger directional flow. 'Thanks, Internet,' such work murmurs. Like many artists in their twenties, Angeletti wants to denote that presiding context without directly addressing it, performing its knock-on effect on materialist media.' - Martin Herbert, Frieze Magazine, Oct. 2012